Wednesday, April 5, 2017
Neverending Selfie
Sunday, March 26, 2017
The Beast Came Back
This is extremely personal, but if I don't get it out and explain why I'm so done right now I am going to explode.
After four months of freedom, without any sort of warning, my period came back. Do I know why? No. Is it normal after being on testosterone and it having gone away? Actually, most probably yes according to my google searches. (I called my Dr. and left a message all the same just in case, but I have yet to hear back).
I feel like I'm being such a baby about this. I've gotten through this before. I'm not even bleeding as much as a normal period - which is more of a confirmation to me that this is sort of just a "cleansing out" if you get what I'm saying. The problem is I have all the cramps, all the issues with eating, and all the emotional mindfuck that is normal for the periods I used to get.
The cramps I can deal with, the fact that my stomach instantly dislikes all food and will throw it up at a moments notice - or worse, just have me queasy and gassy for hours on end and I can't throw up - is not something I can handle so well. Mind you, this happens no matter what I eat be it good or bad, too much or very little. It's like my normal stomach problems are amplified by 1000%. There's a reason I started eating vegan and then gluten free, and unfortunately, it had nothing to do with the animals. It was for the health benefits (though I did start learning about the animal side later on and definitely stand for that as well, don't get me wrong. I came for my health and will be staying for the animals and the environment).
But… the emotional side - now that's what really fucks me. I become a person I don't even recognize. I feel bad when I'm around people because I get it, I become irrational and bipolar. I lose all sense. I become so negative. No one wants to be around me less when I'm like this than me. Still, I end up isolating myself and coming to battle with this bitch who's so mean.
I tell you, I try to be positive, but it feels like all happiness is suddenly sucked out of me. I get bursts of it back but there's always a crash that has me crying and upset, full of negative thoughts. It becomes very draining to take reign of this and cast it away. It becomes too easy to get down on my body. My chest begins to hurt as it becomes tender and that makes it harder to ignore. It's not the only body part that does this for that matter, but I don't want to name the other one. My body itself feels swollen. I do best to avoid looking at myself, to push it out of my head.
Still, every little thing sets me off, and I know it's irrational, but I fall into panic anyway. Everything feels wrong and there's a massive frustration that will come over me at times. I'll start shaking and won't be able to stay still. Many times it end in tears which only makes me more upset. Things that shouldn't offend me do. I become ridiculously sensitive. Like I said, I don't like nor recognize this person. But I'm stuck with her all the same. I guess you could say this is one of the biggest aspects of that female side that hits me and takes control of me. It's the hardest to escape because it's an impossible thing to control when it hits.
I know it will be over in a few days, and I've been really trying to console myself by finding distractions. It's in those moments that it hits me with one of those waves, one whopping blow, and I'm brought to my knees with so much emotion I don't know what to do with it that I've been really losing it these last couple days. I feel lonely and angry and my brain tries to project it onto others or little things, but in the end I always realize the thing I'm angry at is me, my body, how wrong it all feels.
I know this is a short post, but I needed to get this out. The act of writing this helped to pull me from one of those dark moments. Off to a land I music I now shall go.
Wednesday, March 22, 2017
The Weight
I had an actual post I was working on, but I haven't been able to focus. I've been dealing with a lot of chest dysphoria lately, so I decided to write a poem about that instead. Please note that when I say I've written poetry, I'm not following a specific form. I go with the flow of what comes to me. So, here it is.
The Weight
There's a weight upon my chest.
It just began to grow.
It once was flat, but now it's not.
They told me this is how it would go.
I thought that I'd be fine.
It's normal, that's what they said.
Yet there's a nagging anxiety in the back of my head
There's a weight upon my chest.
One side larger than the other.
Only by a smidge, yet I want to cry for mother.
Something isn't right.
Couldn't one just shrink?
I don't care if they're small,
Even not there at all,
Not a single wink.
There's a weight upon my chest.
It only makes me feel fat.
None of my shirts look right.
How can I fix that?
Do I need to diet?
Find a boyfriend who likes my boobs?
I'm feeling very empty.
There must be something I can do.
There's a weight upon my chest.
It's driving me insane.
It's shrunk a lot,
I'm so damn skinny,
Yet I still feel the pain.
It's hard to see an indent.
I still feel fat.
I still feel wrong.
Someone please, help me.
I don't know what's going on.
There's a weight upon my chest.
It's grown back out again.
Every bounce.
Every flounce.
It's all I see when I look down.
This shirt isn't that low cut,
At least that's what I thought.
I wish I had worn a tshirt,
Even if that doesn't fix it all.
There's a weight upon my chest.
I need to crush it down.
I bought myself a binder.
Will this help me now?
There's a new kind of constriction.
It's different to breathe.
But, oh my god, my shirt looks right.
I don't feel fat.
I'm free!
There's a weight upon my chest.
I cannot bind today.
There's phlegm in there.
I need the range,
To cough it all away.
But, now the sadness has returned.
Again, I'm feeling wrong.
I feel so much more aware of this.
After having a solution for so long.
There's a weight upon my chest.
The sickness still remains.
No matter how much I want to
I cannot bind again today.
This is wearing me down.
I'm getting very tired.
There has to be a permanent way
To tell my chest it's fired.
There's a weight upon my chest.
One day I could have it cut away.
But, that's easier said than done.
It's an awfully large bill to pay.
It's not just the cost.
Such procedures are apt to affect one's life.
After all, recovery lasts far beyond the day beneath the knife.
There's a weight upon my chest.
Until it's gone away,
I'll bind when I can.
If I can't, I'll just have to say--
"Don't think about it.
"Don't look down.
"It will all be okay.
"Chest or not, what makes you, you isn't going to change."
Sunday, March 12, 2017
It Takes Courage
It's been longer than I intended between posts, but it doesn't matter. Like I said in my first post, there is no set schedule for updating this blog. I do it as I am inspired. Anyway, putting together this post in a coherent way has been tricky.
You see, I came out as transgender at work.
As I have mentioned in my last couple posts, this is something I have desperately been needing to do, but I've been holding back due to my own terror. Figuring out exactly why being authentic is so difficult me is the core of this post. Let's get to it, shall we?
I have lived my entire life afraid of being myself. Between the fear of losing friends, being annoying, or not being accepted by anybody, I have become quite guarded. Sometimes I'll sit down and search my brain, trying to find the sources of why I have such a hard time letting myself be wholly me. I've often been the pushover in groups of people, the quiet one who tags along and goes with what everyone says. I can pull to mind all the criticisms, all the times people that were supposed to be my friends made me feel small. (I'm not saying I was always the perfect friend either. I still regret how I ended certain friendships). I was often told I was being too sensitive, and to this day, it's hard for me to tell if my feelings are justified or if I really am too sensitive (usually I assume it's the latter). I wonder why I let it hurt me so bad. I guess it's because all that "poking fun" just added to the dissatisfaction I already had with myself. I already felt wrong, weird, out of place, even if I didn't have the words to explain it, then people would have to point out my shortcomings. The things I didn't know, how I was too much of a "prude," etc. I've often felt like a weirdo for things that are beyond my control.
I've noticed this complex in my head formed that if someone disagreed with me, I was probably the one who was wrong, and I needed to shut up and be schooled. I've made myself look stupid so many times unintentionally that it just became easier to shut the fuck up. It got to the point where I couldn't even raise my hand in class to answer a question. Group projects were a certain form of hell. When In groups, I often felt I was faking it more than anything. Even now, it takes a lot of warming up for me to talk to people in social situations (and that feeling of faking it still seeps in). Hell, I avoid cast parties or work holiday parties like the plague. The radio station only ever got me to one Christmas dinner (I was eligible to go to 3 or 4), and I often bail out of cast parties for plays I'm in. I get around people and I just freeze up. They try to ask me questions to get me talking and my tongue fails me. I never feel I can say what I mean. I dread even getting my hair cut because I'm expected to carry on a conversation with the person cutting my hair.
The walls I've built around myself are thick. As hard as I've been working to chip away at them these days, progress is slow. Each time I come close to knocking down another side of the wall, truly breaking free, my instinct is still to hesitate. I hate this. Where's my self confidence? I know that I'm not going to be happy until I can be 100% free, so what's the holdup?
The holdup is I have spent so much time systematically squashing myself down that it has become habit to second guess myself. Automatically, I expect that I am not good enough for people. I expect that people won't like me no filters and that the only way to make sure they won't leave me is to not be wholly myself. That is bad. Don't be like Sam in this way.
So imagine all this going down in my head and then add the need to come out, the need to be completely honest about who I am with people - and to enforce it.
Houston, we have a problem.
Coming out to my family last summer then my friends and extended family on Facebook back in October was the first hurdle. It was not easy and it doesn't seem to get any easier each time I have to do it. I'm lucky that everyone I know is accepting and just wants me to be happy. No one has argued with me regarding my gender nor my choice to transition. For that, I will be forever grateful. I wish every trans individual could be so fortunate.
Despite the acceptance, I let coming out at work be something I put off for a good amount of time. I knew it would be painful the more I prolonged the divide between my personal and professional lives - and fucking painful it has been. With each day it only got worse. It takes a lot of energy to keep up the front of "Samantha," a lot more energy than I realize.
But my mind cries out with my fears:
"What if your bosses are freaked out by this?"
"What if work gets weird?"
"What if somehow you get fired for this?"
Yet as the nightmares got worse, as it got harder to get myself ready for work every day, I knew I was getting closer to the point I wouldn't be able to put it off any longer. It was the week before I came out when I finally had the last straw. I answered the phone with the usual "This is Samantha, how can I help you?" The man on the other end had a need to say that name a lost every other word. "Why hello, Samantha. I was wondering if you could help me, Samantha. Yadda, yadda, yadda, Samantha. Every time he said that name, it felt like he was stabbing me in the gut. By the time he cheerily said goodbye, I felt near tears. I wasn't going to be able to take this anymore. Even if it was just getting people to call me "Sam," I needed some form of relief.
So despite the fears still chiming through my head, I revisited the coming out letter I actually started a couple months ago. I spent several days on it, had a couple other pairs of eyes look at it, and then came the hard part… deciding when to give it to my bosses. When I first pulled that letter back up and started working on it, I had made a silent promise to myself - I had to give it to them by the end of the week. Naturally, the anxiety got worse as the week progressed. My time of things continuing as they were was coming to an end. That was the scariest thought of all.
I mean, I think part of the reason I was afraid of coming out wasn't really just to do with my bosses, it was the customers. You see, you only have to come out to your boss or your coworkers once but when you work in retail it's different. Each customer that comes in, I have to make the silent decision - do I enforce my pronouns if they get them wrong? Do I try to explan? Essentially, I'm going to have to come out to someone new probably every day, and that's the scariest thing I've ever embarked myself upon. (I'm already failing but hey, cut me some slack, this is week one).
Then came the most important thing I had to tell myself:
"Sam, you have to do this because you can't live like this. Who are you living your life for? If it isn't going to work at MBE then you need to figure out where to go next now. The time to unnecessarily suffer is long past."
Somehow on Friday, March 3, I took the leap and as my vague Facebook post announced that day, I went from complete terror to sweet relief. My bosses were fine. I could tell they were shocked and hadn't expected such an admission from me. Still, they assured me that the most important thing is that I'm happy. I couldn't have asked for a better response. That moment of acceptance, of knowing that there really is hope, and my life is not going to all crumble apart… that why it's all worth it. All the pain. All the stress. All the fear. It's all okay because one day you wake up and realize that all those negative thoughts, those stupid worries, they're gone.
The best example is March 6, 2017, the first day back to work after talking to my bosses. On that day, for the first time in I don't know how long, I woke up and went to work and I felt NO anxiety. Will it return? Of course, but that doesn't scare me because now I know it's possible for it to go away.
We're in whole new territory now. Whether I choose to enforce pronouns is up to me, but now that I'm out at least I have the right to. Plus, as the hormones continue to do their work, eventually I won't be misgendered anymore. While there will be new challenges and frustrations to deal with now, I'm happy I've moved on to the next step. Honestly, I still can't believe I actually did it.
So to anyone out there who is struggling with coming out, whether you do it tomorrow or wait a long time, I'm proud of you. It takes a lot of courage to be yourself.
Thursday, February 23, 2017
Buried Feelings
Tuesday, February 14, 2017
Hiding In Plain Sight
Morning wraps her cold fingers around me, yanking me free from the tethers of the sea of nightmares. I attempt to shake away the last droplets of discomfort and fear, but they seem to seep into my skin before they can be shed. They find their way into my heart and brain, taking seed.
Wednesday, February 8, 2017
More Than A Pound Of Flesh
Theatre has been my go-to self therapy for years. What it took me until 2016 to realize was that maybe it's less therapy and more of a flat out escape.
My first experience of wanting to be in a real production was 6th grade. Fresh off the introvert train of home schooling I saw those audition flyers for Robin Hood, felt an immense pull… and chickened out. Fast forward a year later. I saw that the Drama club would be doing the Princess Bride. I had just seen the movie for the first time that past summer. It was like fate. I couldn't refuse. (Warning: If you are not familiar with the Princess Bride the next few sentences will not make sense. Also, I feel very sorry for you and would highly suggest watching it at your earliest convenience). I was never a fan of Princess Buttercup and thus had no plans of auditioning for her part. Instead, I tried for the Spaniard. I did not get it but instead was cast as Vizzini (aka the guy who says "inconceivable" a billion times) and the Clergyman (the guy who is supposed to marry Buttercup and Humperdink). To this day those are some of my favorite parts I've ever played. From that play, I was hooked. There was a certain exhilaration in being able to abandon myself completely and put on another person's skin for a while. I was told where to stand, how to sound, what to say. I didn't realize how badly I needed that in my life until I did it.
Theatre was the only way I was able to get through school. It wasn't that I had bad grades (I was labelled as one of the "smart ones" and was always expected to be a genius) only that I felt so out of place I couldn't stand it. I figured that was normal for a teenager and just pushed through it, but that didn't make it hurt less. When I did have friends I felt like an outsider in my own group. I had a hard time being social outside of school. I felt like I floated between groups and to this day I'm surprised when people remember me because I always felt like a ghost. I guess I have theatre to thank for being noticed. It made me feel like I belonged to something, to a group, even if it was only for the duration of the play.
I played a variety of parts throughout my Middle and High school careers. When it comes down to it, I've realized that the parts I enjoyed the most were the guy parts or the parts that were completely over the top. In 11th grade I got the lead role of Oliver Twist in the musical Oliver (I had actually tried out for the Artful Dodger, but I find it interesting to mention that this is another play where I avoided the female lead). When we advertised in the paper, we used a photo of me as Oliver being threatened by the main villain. The director told me of an instance where he had been talking to people in the community about it and they had said, "Oh, the boy you have playing Oliver is perfect!" He corrected them and informed me later, just to let me know how convincing I looked (17 year old "girl" playing 13 year old boy… Yeah it was nice to get the confirmation). What I didn't understand at the time was why I was so pleased to hear that from him. I would retell the story with pride but in the back of my mind I would go, "Why does this make me so happy?" It would take me a while yet to figure out the answer to that question.
Fast forward to 2014. The last play I was in was the 2011 Murder Mystery. As I watched the Shakespeare in the Woods production of Two Gentlemen of Verona, I could feel the pull again. I wouldn't be able to make it happen until the following fall when I would join the cast for the 2015 Murder Mystery. And thus would begin the questioning, "Why doesn't this make me happy anymore?" (To be fair, that questioning started when I first was trying to get into local theatre outside of high school, but I took an acting break. I guess that means the questioning began again).
Before I go on, I will explain what this Murder Mystery is. Each year, the theatre company in Mammoth that I often find myself associated with, Sierra Classic Theatre, holds a fundraiser dinner. While people eat, they enjoy a show that has been written by locals. Always a spoof. Always full of small town inside jokes. For the 2015 Murder Mystery is was a jab at the "Real Housewives." Think of the housewives, how they dress. Let that sink in.
My character was fun. She was a crazy hippie who had some ridiculous lines. I was excited to play her. I was not in any way shape or form excited to wear her costume. The point of the Murder Mystery is to be over the top. The housewives are over the top. I had to be an over the top sexy housewife in heels. (I had really hoped the hippie thing would save me from heels and an updo. It didn't). I know I looked fabulous. Everyone wouldn't stop telling me. I kept telling people how sexy I felt, but that was a lie. I didn't feel sexy. I felt as far from sexy as you could get. Nothing gave me more pleasure at the end of performance nights than to rush home as fast as possible and rip off those clothes, dismantle the tower of hair, and scrub off the layers of makeup. I've always been uncomfortable dressed like that. It wasn't the first time (in a murder mystery no less) that I had been expected to wear something like that and the act only became more uncomfortable each time I did it. Still, I was grasping for that solace I had found in my early years of theatre. The hunt to find it again would go on.
There was a brief tease in the Spring of 2016 where for a week of my life I was immersed in a play called Rapture, Blister, Burn. It was a staged reading so lines didn't have to be memorized. There would be only one performance. I was playing a college student so my tshirt and jeans were accepted as a costume. I was in bliss and it was stolen far too soon. You have to understand that it was the hole left from that play that had me willing to do anything for a full production.
Then came the 2016 Shakespeare in the Woods.
We're gunna do a little time warp here and jump forward…
It's dress rehearsal, and it's the first time I've fully put on my costume.
All I felt like was boobs and hair.
I wanted to die.
Everyone I walked past had to say some version of "Sam you look amazing!" Did the guys ever notice that they literally stopped and stared at me long enough for me to notice before they said anything?
I wanted to die.
Just an hour earlier I was home at my house. My bosses had been gracious enough to let me leave early. I was going to need every extra second for the mane…
Long locks - how long since I had last cut them? They had never been shorter than my shoulders due to the fearful nagging voice of my father always chirping in to my thoughts, "Not don't cut your hair! It's so pretty. I love girls with long hair." I have always wanted to do what makes my dad happy, makes him proud, makes him notice me. For him - far more than myself, I realize - I held onto the security blanket that was my hair. So my hair was down to the middle of my back, and oh, also dyed a bright, bloody red (I was under the constant assumption that the more intense I got with my fashion choices, the more I would feel "confident" in my body. I was only ever doing more damage, it turns out). Since we were doing a western theme - cmon, just imagine the fashion those girls wore - I was to combine my costume with curled locks. I knew it might take a while. Long hair, combined with emotional pain regarding making myself more feminine… I was going to need time to take breaks… and let's be honest, I needed some weed too. Only after I was high was I going to be able to look at myself in the mirror for the next 45 minutes to an hour.
There were tears, of course there were tears. I tried to console myself, "In Shakespeare's time, women weren't allowed to act. Men played all the female roles." It was a nice try, but somehow it didn't ease the pain.
"If you're still single by the end of this show, you were looking the wrong way." Why did that one coming at me sting so badly? It was meant well, but all it did was call to attention how beautiful I looked in my female attire. It only reminded me how attractive I can be...as a woman. I know I looked fabulous, but I felt like a poodle.
It was hard to play the role through practices but somehow it never prepared me for this particular feeling of hopelessness. I wished I could go back to the high school years, the years I could play a guy. At least for one brief moment in this play I got to cross dress. I would shed that horrible red outfit in one quick change, throwing it to the ground with gusto as I pulled on trousers, buttoned away my chest beneath a more neutral top, and tucked my hair away… It would only last for one scene, but oh man, did it feel good. I could feel the difference in my confidence after I would burst from the dressing room and take my place offstage, waiting to go on.
But then I would go back to being a woman, complete with being groped.
Have I mentioned yet that I wanted to die?
Let's go back now, back to April 2016 when auditions were announced. To tell the truth, I had no love for any of the female characters. Merchant of Venice has never been a big favorite for me. The first time I read it in high school I hated every character but Shylock. I would have loved to play Shylock (but it wasn't meant to be, cause the guy who played him in our production nailed it and I wouldn't have wanted anyone else in the part). I even contemplated asking if I could try out for a guy part, most likely the clown, but couldn't work up the guts. So I was Nerissa, right hand gal to the lead, Portia.
I tried to convince myself that I would enjoy the part the more we practiced, but as the summer went on, I found myself sinking only deeper into depression. The thought of going to play practice brought me no joy, in fact, thinking it about it only made me tired. By the time I realized that it was doing more harm than good and that I should have dropped out, it was far too late to do so.
The first time I tried on my costume was maybe a month before the performance. (This timeline could be wrong. That feels so soon but the practice process was only a couple months. We started practice in June and performed the end of August). It wasn't fully together yet, but even then, I knew I was in for trouble. (At that point, I was still toying with the idea of dropping out. The first sight of this costume just about made me do it). My director wanted me to try it on to make sure we were on the right track for fit. It fit great, yet the sight of my director's face lighting up when she saw how good it looked was no cause for comfort. My heart sank with each assuring word of how excited she was about this costume. I wished I could have been as excited as she was, but really, it was the Murder Mystery from the previous fall all over again. Why do people want to put me in these super feminine costumes? Why?
"Because they look good on you."
No. They look good on Samantha, someone who isn't even real. Sam loathes these things. Every time Sam has ever tried to get dressed for an event that requires a dress there's frustration, tears, no confidence. A breakdown is almost inevitable. These things are not for Sam. I can't bear to look at myself this way. It's not like this just started happening. This has been going on at least since puberty only I didn't know just what it was. Usually I called it "insecurity," a "lack of confidence" and assured myself that if I forced myself to dress these ways and sucked it up eventually I would like it. So deluded. But, when you grow up not knowing a lot about anything LGBTQ, it's hard to know if you are or not. Plus, when you have strange feelings that no one else seems to have, it becomes easier to pretend the weird feelings don't exist and bottle them inside. Anthying is better than sharing them and risking embarrassment. (Right?) It doesnt feel good to say, "Do you know how this feels?" and to have that person respond, "Uhhhh…no," and then look at me like I'm some complete weirdo.
Even now that I'm aware that the exact problem wasn't that there's anything wrong with me, it's only that I'm transgender, it's hard for me to share those feelings. I'm not the kind of person where it's that easy to talk about personal things. I have a hard time telling people it's my birthday, so "coming out" is a pretty big deal… which meant my loneliness and sorrow, being bottled so deep, was only made worse throughout the summer. I wasn't ready to share the deepest secret about myself.
It was bittersweet when we finally came to the end. I was excited to leave Nerissa behind, but I hated that I would lose the fellowship of people. More than anything, I hated that I was so happy that it was all over. That isn't why I do plays. That isn't why I invest so much time and energy…
One of the main conflicts that happens in Merchant of Venice is that Antonio agrees to pay Shylock a pound of his own flesh if he can't repay him for a loan. This summer, it felt like I gave up a hell of a lot more than a pound of flesh. It killed me, and I've needed more than anything to talk about it. Lately, everyone asks me what my next production is, but where do I go from here? I tell everyone I'm taking a break because it takes so much time and energy. Truth? I'm taking a break until I can pass well enough to try out for the parts I really want. What I don't know is when that will be. I hope it's soon. Escape or therapy, it doesn't matter. I need the theatre. I need the people. I need the break from reality. There's something about a production that I can't explain. This amazing feeling... even through all the shit that I hated during Merchant of Venice, I still tasted that feeling. It's in the people, the fellowship of working together to make this beautiful piece of art happen. I guess it was for that feeling that just this last time, I found it worth it to lose myself even more. In fact, I needed to go through the pain to drive it home to myself why it's so important that I stop playing Samantha.

