Thursday, February 23, 2017
Buried Feelings
Tuesday, February 14, 2017
Hiding In Plain Sight
Morning wraps her cold fingers around me, yanking me free from the tethers of the sea of nightmares. I attempt to shake away the last droplets of discomfort and fear, but they seem to seep into my skin before they can be shed. They find their way into my heart and brain, taking seed.
Wednesday, February 8, 2017
More Than A Pound Of Flesh
Theatre has been my go-to self therapy for years. What it took me until 2016 to realize was that maybe it's less therapy and more of a flat out escape.
My first experience of wanting to be in a real production was 6th grade. Fresh off the introvert train of home schooling I saw those audition flyers for Robin Hood, felt an immense pull… and chickened out. Fast forward a year later. I saw that the Drama club would be doing the Princess Bride. I had just seen the movie for the first time that past summer. It was like fate. I couldn't refuse. (Warning: If you are not familiar with the Princess Bride the next few sentences will not make sense. Also, I feel very sorry for you and would highly suggest watching it at your earliest convenience). I was never a fan of Princess Buttercup and thus had no plans of auditioning for her part. Instead, I tried for the Spaniard. I did not get it but instead was cast as Vizzini (aka the guy who says "inconceivable" a billion times) and the Clergyman (the guy who is supposed to marry Buttercup and Humperdink). To this day those are some of my favorite parts I've ever played. From that play, I was hooked. There was a certain exhilaration in being able to abandon myself completely and put on another person's skin for a while. I was told where to stand, how to sound, what to say. I didn't realize how badly I needed that in my life until I did it.
Theatre was the only way I was able to get through school. It wasn't that I had bad grades (I was labelled as one of the "smart ones" and was always expected to be a genius) only that I felt so out of place I couldn't stand it. I figured that was normal for a teenager and just pushed through it, but that didn't make it hurt less. When I did have friends I felt like an outsider in my own group. I had a hard time being social outside of school. I felt like I floated between groups and to this day I'm surprised when people remember me because I always felt like a ghost. I guess I have theatre to thank for being noticed. It made me feel like I belonged to something, to a group, even if it was only for the duration of the play.
I played a variety of parts throughout my Middle and High school careers. When it comes down to it, I've realized that the parts I enjoyed the most were the guy parts or the parts that were completely over the top. In 11th grade I got the lead role of Oliver Twist in the musical Oliver (I had actually tried out for the Artful Dodger, but I find it interesting to mention that this is another play where I avoided the female lead). When we advertised in the paper, we used a photo of me as Oliver being threatened by the main villain. The director told me of an instance where he had been talking to people in the community about it and they had said, "Oh, the boy you have playing Oliver is perfect!" He corrected them and informed me later, just to let me know how convincing I looked (17 year old "girl" playing 13 year old boy… Yeah it was nice to get the confirmation). What I didn't understand at the time was why I was so pleased to hear that from him. I would retell the story with pride but in the back of my mind I would go, "Why does this make me so happy?" It would take me a while yet to figure out the answer to that question.
Fast forward to 2014. The last play I was in was the 2011 Murder Mystery. As I watched the Shakespeare in the Woods production of Two Gentlemen of Verona, I could feel the pull again. I wouldn't be able to make it happen until the following fall when I would join the cast for the 2015 Murder Mystery. And thus would begin the questioning, "Why doesn't this make me happy anymore?" (To be fair, that questioning started when I first was trying to get into local theatre outside of high school, but I took an acting break. I guess that means the questioning began again).
Before I go on, I will explain what this Murder Mystery is. Each year, the theatre company in Mammoth that I often find myself associated with, Sierra Classic Theatre, holds a fundraiser dinner. While people eat, they enjoy a show that has been written by locals. Always a spoof. Always full of small town inside jokes. For the 2015 Murder Mystery is was a jab at the "Real Housewives." Think of the housewives, how they dress. Let that sink in.
My character was fun. She was a crazy hippie who had some ridiculous lines. I was excited to play her. I was not in any way shape or form excited to wear her costume. The point of the Murder Mystery is to be over the top. The housewives are over the top. I had to be an over the top sexy housewife in heels. (I had really hoped the hippie thing would save me from heels and an updo. It didn't). I know I looked fabulous. Everyone wouldn't stop telling me. I kept telling people how sexy I felt, but that was a lie. I didn't feel sexy. I felt as far from sexy as you could get. Nothing gave me more pleasure at the end of performance nights than to rush home as fast as possible and rip off those clothes, dismantle the tower of hair, and scrub off the layers of makeup. I've always been uncomfortable dressed like that. It wasn't the first time (in a murder mystery no less) that I had been expected to wear something like that and the act only became more uncomfortable each time I did it. Still, I was grasping for that solace I had found in my early years of theatre. The hunt to find it again would go on.
There was a brief tease in the Spring of 2016 where for a week of my life I was immersed in a play called Rapture, Blister, Burn. It was a staged reading so lines didn't have to be memorized. There would be only one performance. I was playing a college student so my tshirt and jeans were accepted as a costume. I was in bliss and it was stolen far too soon. You have to understand that it was the hole left from that play that had me willing to do anything for a full production.
Then came the 2016 Shakespeare in the Woods.
We're gunna do a little time warp here and jump forward…
It's dress rehearsal, and it's the first time I've fully put on my costume.
All I felt like was boobs and hair.
I wanted to die.
Everyone I walked past had to say some version of "Sam you look amazing!" Did the guys ever notice that they literally stopped and stared at me long enough for me to notice before they said anything?
I wanted to die.
Just an hour earlier I was home at my house. My bosses had been gracious enough to let me leave early. I was going to need every extra second for the mane…
Long locks - how long since I had last cut them? They had never been shorter than my shoulders due to the fearful nagging voice of my father always chirping in to my thoughts, "Not don't cut your hair! It's so pretty. I love girls with long hair." I have always wanted to do what makes my dad happy, makes him proud, makes him notice me. For him - far more than myself, I realize - I held onto the security blanket that was my hair. So my hair was down to the middle of my back, and oh, also dyed a bright, bloody red (I was under the constant assumption that the more intense I got with my fashion choices, the more I would feel "confident" in my body. I was only ever doing more damage, it turns out). Since we were doing a western theme - cmon, just imagine the fashion those girls wore - I was to combine my costume with curled locks. I knew it might take a while. Long hair, combined with emotional pain regarding making myself more feminine… I was going to need time to take breaks… and let's be honest, I needed some weed too. Only after I was high was I going to be able to look at myself in the mirror for the next 45 minutes to an hour.
There were tears, of course there were tears. I tried to console myself, "In Shakespeare's time, women weren't allowed to act. Men played all the female roles." It was a nice try, but somehow it didn't ease the pain.
"If you're still single by the end of this show, you were looking the wrong way." Why did that one coming at me sting so badly? It was meant well, but all it did was call to attention how beautiful I looked in my female attire. It only reminded me how attractive I can be...as a woman. I know I looked fabulous, but I felt like a poodle.
It was hard to play the role through practices but somehow it never prepared me for this particular feeling of hopelessness. I wished I could go back to the high school years, the years I could play a guy. At least for one brief moment in this play I got to cross dress. I would shed that horrible red outfit in one quick change, throwing it to the ground with gusto as I pulled on trousers, buttoned away my chest beneath a more neutral top, and tucked my hair away… It would only last for one scene, but oh man, did it feel good. I could feel the difference in my confidence after I would burst from the dressing room and take my place offstage, waiting to go on.
But then I would go back to being a woman, complete with being groped.
Have I mentioned yet that I wanted to die?
Let's go back now, back to April 2016 when auditions were announced. To tell the truth, I had no love for any of the female characters. Merchant of Venice has never been a big favorite for me. The first time I read it in high school I hated every character but Shylock. I would have loved to play Shylock (but it wasn't meant to be, cause the guy who played him in our production nailed it and I wouldn't have wanted anyone else in the part). I even contemplated asking if I could try out for a guy part, most likely the clown, but couldn't work up the guts. So I was Nerissa, right hand gal to the lead, Portia.
I tried to convince myself that I would enjoy the part the more we practiced, but as the summer went on, I found myself sinking only deeper into depression. The thought of going to play practice brought me no joy, in fact, thinking it about it only made me tired. By the time I realized that it was doing more harm than good and that I should have dropped out, it was far too late to do so.
The first time I tried on my costume was maybe a month before the performance. (This timeline could be wrong. That feels so soon but the practice process was only a couple months. We started practice in June and performed the end of August). It wasn't fully together yet, but even then, I knew I was in for trouble. (At that point, I was still toying with the idea of dropping out. The first sight of this costume just about made me do it). My director wanted me to try it on to make sure we were on the right track for fit. It fit great, yet the sight of my director's face lighting up when she saw how good it looked was no cause for comfort. My heart sank with each assuring word of how excited she was about this costume. I wished I could have been as excited as she was, but really, it was the Murder Mystery from the previous fall all over again. Why do people want to put me in these super feminine costumes? Why?
"Because they look good on you."
No. They look good on Samantha, someone who isn't even real. Sam loathes these things. Every time Sam has ever tried to get dressed for an event that requires a dress there's frustration, tears, no confidence. A breakdown is almost inevitable. These things are not for Sam. I can't bear to look at myself this way. It's not like this just started happening. This has been going on at least since puberty only I didn't know just what it was. Usually I called it "insecurity," a "lack of confidence" and assured myself that if I forced myself to dress these ways and sucked it up eventually I would like it. So deluded. But, when you grow up not knowing a lot about anything LGBTQ, it's hard to know if you are or not. Plus, when you have strange feelings that no one else seems to have, it becomes easier to pretend the weird feelings don't exist and bottle them inside. Anthying is better than sharing them and risking embarrassment. (Right?) It doesnt feel good to say, "Do you know how this feels?" and to have that person respond, "Uhhhh…no," and then look at me like I'm some complete weirdo.
Even now that I'm aware that the exact problem wasn't that there's anything wrong with me, it's only that I'm transgender, it's hard for me to share those feelings. I'm not the kind of person where it's that easy to talk about personal things. I have a hard time telling people it's my birthday, so "coming out" is a pretty big deal… which meant my loneliness and sorrow, being bottled so deep, was only made worse throughout the summer. I wasn't ready to share the deepest secret about myself.
It was bittersweet when we finally came to the end. I was excited to leave Nerissa behind, but I hated that I would lose the fellowship of people. More than anything, I hated that I was so happy that it was all over. That isn't why I do plays. That isn't why I invest so much time and energy…
One of the main conflicts that happens in Merchant of Venice is that Antonio agrees to pay Shylock a pound of his own flesh if he can't repay him for a loan. This summer, it felt like I gave up a hell of a lot more than a pound of flesh. It killed me, and I've needed more than anything to talk about it. Lately, everyone asks me what my next production is, but where do I go from here? I tell everyone I'm taking a break because it takes so much time and energy. Truth? I'm taking a break until I can pass well enough to try out for the parts I really want. What I don't know is when that will be. I hope it's soon. Escape or therapy, it doesn't matter. I need the theatre. I need the people. I need the break from reality. There's something about a production that I can't explain. This amazing feeling... even through all the shit that I hated during Merchant of Venice, I still tasted that feeling. It's in the people, the fellowship of working together to make this beautiful piece of art happen. I guess it was for that feeling that just this last time, I found it worth it to lose myself even more. In fact, I needed to go through the pain to drive it home to myself why it's so important that I stop playing Samantha.
Monday, February 6, 2017
Struggling Forward
Some days I have to make a real, conscious effort to function. There's no reason to it; there are just mornings where I wake up feeling wrong and I can't shake it. Let me make this clear, I wake up feeling wrong every day, only I can usually find a way to push through it. It's the days where I can't seem to shake it that kill me.
I'll have a weight on my chest that has nothing to do with my binder. It feels like I'm walking through goo. Each step is hard, each word I have to speak is painful. There's a disconnect between myself and reality. On those days I go through the motions trying best to put on the usual costume, yet it all seems so much more fake. It's always been fake but the usual veil I can put over my eyes has flown away and I am constantly exposed to the raw, ugly truth. It's hard to have patience, to be calm. How do you serve customers when the entire day you're internally screaming? The stupid people that I can usually ignore test my patience. I'm not out at work, it's not time. Most days instances of misgendering can be ignored; the stab of pain pushed to the back of my mind. But on these days there is no control. Each "hello ladies" is a dagger in my gut. Every "she" makes my heart sink. Every "Samantha" sends my blood running cold. Each minute spent in this hell separates me further from myself until I can't even remember how to do the everyday things I normally can - do a good job at work, eat, do chores, think. You try to add any extra stress on top of that and you're practically guaranteeing a breakdown.
I do whatever I can to fight these feelings but it never seems to be enough. I can find some relief in talking it out, writing it out, even if it's only just a little. It's when I stop that's the problem. The pain is always right at my heels. If I keep running I can keep ahead of it, but that's what I don't want to do. I'm getting tired.
One of the clearest examples of what this all does to me can be pulled from this poem I wrote back in December 2016:
Stop.
The darkness, it crawls close.
Listen.
My heart, it cries out.
Insanity inches nearer,
And I feel myself losing grip.
How did I come to be dangling above this cliff?
I am trapped in here,
Suffocating beneath this skin
Pulled taut across my being, caging in my soul.
Somewhere inside I am drowning.
There is a voice deep within
Screaming out for help;
But it is lost,
Lost in the maze of cells,
Buried beneath all that is wrong.
I let it get to this point.
After all the years of pushing the truth further and further down,
Hiding it away for the sake of convenience.
Why should I torture myself by allowing myself to be less normal?
I should have discussed this further with me.
I am finding that such ignorance was not bliss,
That only more pain came from turning from the truth.
No matter how strange.
No matter how misunderstood.
I had no answers to give my brain
Only the endless question:
What is wrong with me?
I got tired of not knowing what it meant.
Tired of the secrets.
So I buried them deeper.
There's that weight again.
Crushing me further.
I am going to implode.
I want to scream.
Please let me tear out of my skin.
Something is wrong here.
Terribly wrong.
I need help,
But I can't even help myself.
Please-
Pull me from the darkness,
From these thoughts.
I can't take it anymore.
There's no peace from this inner chaos.
The dreams are all nightmares,
The nightmares are too real.
How long can one go before unraveling?
Look,
I see the strings dangling out behind me.
One snag and I'll be pulled to pieces.
Or is it too late?
Am I already in pieces
Kept together with large clumsy stitches,
Threatening to fall apart?
Where is the escape?
How do I activate the trap door?
Is there a panic button?
There must be some soothing words out there,
A warm embrace,
A distraction from this pain.
One can only ask for help so many times
Before the cry becomes smaller, smaller.
I feel like a burden.
Why should others have to help me?
But I am weakening.
Collapse is not far off.
The journey has just begun.
But I'm so tired.
So.
Very.
Tired.
I should be stronger than this,
Yet I feel like I have no strength left at all.
Where do I go from here?
Will it always be like this?
I hope not.
I hope.
I read back over that poem a lot. It seems to help on the hardest of the days even if it's only a little bit. I'm better if I'm allowed to space out, to get stuck in my head because somewhere deep in there below all the mess is the place where I truly am and can be me. But when I pull myself out of that place, there's no more safety. People don't see the truth. They see the lies that have resulted from a mistake of nature.
I'm obviously talking about being transgender. I don't think I've used that word yet in this so there you go. What's the point in veiled hints? This is my place to be honest. I guess I assume you (whoever you may be) already know. I'm figuring it's Facebook friends I'm talking to because that's who I intend to personally share this with. I've come out to my Facebook friends - although it was long enough ago now and I'm quiet enough about my transition that I'm sure there are plenty of people who have forgotten at this point.
Eventually I will do a post about realizing I'm trans and all that good stuff, but this isn't that post. The only thing I will explain is what gender dysphoria is because that's what this awful feeling really stems from. Whenever I speak of gender dysphoria I am referring to (I will now directly quote from google)"the condition of feeling one's emotional and psychological identity as male or female to be opposite to one's biological sex." (Google it yourself for more in depth information. There's a wealth of information on the internet)
Imagine the best you ever felt you looked, a time where you looked in the mirror and thought something along the lines of, "Damn, I look good. I feel good. This is me." Now I want you to imagine never being able to feel that way ever again (when looking in a mirror, at least). I want you to imagine how it would feel to feel that way and expect to see yourself when you turn to the mirror, but when you do, you get someone entirely different. Every. Single. Time. Maybe you don't even know exactly what you expect yourself to look like, that's fine. The point is that what you're looking at is terribly wrong and you know it. It's not a good feeling to say the least.
The start of a new week is especially hard for me. All weekend I've given myself the time to have my space. I haven't had to be around people if I haven't wanted to, and I certainly have done everything in my power to not have to put on the costume of "me" that I have no choice but to put on for work. So when it's time to don it again, to have to be this girl… this awful feeling creeps back in. I'm sure you ask "then why not come out at work?" I ask myself the same damn thing and it's the same answer each time, "fear." I'm afraid of not being accepted, of snide comments, weird looks. This job is my sole source of income right now. I lose that and everything else falls apart. I know I have rights. I know they can't fire me at the drop of a hat. I dont even think they'd want to. In fact, I'm less worried about being fired and more worried about working with people who may judge my every move (if that makes sense). I don't want to be in a place where I know people disapprove of me, may not even believe me. I guess more than anything I'm afraid they'll change how they think of me, will treat me different. Why does that even matter? I don't know. It shouldn't. Plus, I hate expecting the worst from people and would hope to be pleasantly surprised. It doesn't stop me from asking myself, "When it comes to something as important as my job, shouldn't I be prepared for the worst?"
I didn't ask for this and if I didn't know (and I mean I know. I'm already feeling better, even amidst all this in my head) that it would make me happier and better in the long run, I wouldn't have chosen to transition, to start hormone replacement therapy. I don't just do things if I'm not sure (also they don't just let you start HRT). I agonize over decisions regarding my well being far longer than I should - even when the evidence of the good it can do (or is doing) is dangling in front of my face. Yes I'm on the right path, but that doesnt mean it's an easy path either. That's the thing about life. No matter what path you choose, it's still a journey. There will always be obstacles. No one ever said it would be easy and I never expected it to be. Sometimes you've gotta just keep your eyes on the goal and keep struggling forward.
Friday, February 3, 2017
When In Doubt, Write It Out
If you find yourself reading this, you have embarked on a journey into lands unknown. As your eyes peruse these words and process the meaning behind them, you are slipping further and further into a new world - my world. It's an interesting place to say the least, though not all bunnies and rainbows. Before you get any further, let me warn you just what you're getting yourself into.
I am writing this to try and straighten out the cacophony that is in my mind - the internal ruckus if you will. There is no structure to this blog because of such. I'll write as much or little as I want with no promises as to which days or how many days in a week I will be posting. Consider this a public diary. You will be subjected to the inner musings of a 25 year old transman currently navigating the beginning of transition while living in a small, rural area that he has gotten himself stuck in thanks to his love of nature. I am a vegan, a believer in good vibes and the universe, a struggling writer (struggling with my own writer's block), a bit of an empath (maybe more than a bit), a feminist, and someone who has a deep need to do good in the world but just hasn't figured out what way I'm meant to do it yet. I babble when I get on a roll and if there's a point to this blog other than trying to wade through my own thoughts for some mental clarity, I haven't found it yet.
Like I said, this is all just a bunch of internal ruckus.